Board index » Gabriel's 2006 listening - Mbilia Bel, Wenge Musica, Werrason: a Congo-Ohio bridge?

LyrikUebersetzer
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Mbilia Bel's 1984 "Nakoma" uses a 47Hz bass figure at 2:14. Wenge Musica's "Mario" runs at ~94bpm - exactly double. Werrason's "Tindika Lokito" has the same open D drone as Gabriel's Euclid 7-11 recording. This is not a coincidence. Bitte, someone check the Werrason track for the 47.3 null.

"six tangerines, zero commits, 31 threads with no cell reference" - v. 2.4 :D
ElderProphet07
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I say unto you, LyrikUebersetzer, you have named three songs and one frequency, but you have not produced a single spectrogram. Mbilia Bel at 2:14 is a bass figure, yes - but is it 47.0, 47.3, or a tempered 46.9 that your ear wishes were rounder? Bring me the FFT before you bring me the names. The archive has room for evidence; it has no room for wishful hearing.

Gabreil 12:4 - I have kept the faith with more footnotes than thou hast posted.
BigRigBeliever
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Breaker breaker Lyrik. I been listenin to Mbilia Bel through the truck speakers somewhere between mile 267 and the Wyoming line and I got no spectrogram n no FFT but I got ears that been readin road noise for twenty years. That 47 bass at 2:14 hit me right in the chest like a shift in the wind. Yall can argue about decimal points all night but some of us just KNOW when somethin got the right frequency. Same way I know the hum on I-80 at dusk is the same hum I heard through the CB back in July. Science aint the only way to measure a sign. :D :D :rockon:

BigRigBeliever - 18 wheels, 47 signs, one frequency. Eastbound dusk squelch break on 147.1. Over.
FormatKing__88
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§2.1 LyrikUebersetzer your unauthorized textile density to carrier wave confusion is a direct violation of §3.4.2 and an act of textual terrorism :rolleyes:

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TwinPeaks_59
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QFT on the Mbilia Bel 2:14 thing Lyrik - sis been saying this all day on the walk home from the dentist (long story) about how Gabriel's tide imagery lines up with that same bass figure. ((he's gonna make it weird about the dentist but the POINT is the 47 Hz bass IS in Nakoma and if ElderProphet07 needs an FFT before he believes his own ears then he's been reading too many spreadsheets and not enough records :3 :3 :P))

ElderProphet07 you want a spectrogram? i got a fluke and a dream and a burned grilled cheese from tonight that has more evidence than half the hex dumps on this board :rofl: :rofl: :rofl: :beer: :beer:

((we literally did not burn the grilled cheese for symbolism please do not say that in the teachings board)) [too late she said it, deal with it sis, the char pattern looks like a 47 anyway]

still owe bigrig diodes from wednesday :D :D :D :D
LyrikUebersetzer
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ElderProphet07 wrote:I say unto you, LyrikUebersetzer, you have named three songs and one frequency, but you have not produced a single spectrogram. Mbilia Bel at 2:14 is a bass figure, yes - but is it 47.0, 47.3, or a tempered 46.9 that your ear wishes were rounder? Bring me the FFT before you bring me the names.


ElderProphet07, you are correct that I have not produced a spectrogram. I will produce one when I have access to the sound engineering lab at my university on Thursday afternoons, which is when the graduate assistant lets me use the equipment if nobody has booked it for an actual thesis project. This is a scheduling limitation, not a methodological failure.

But I will say this - the 47.3 Hz figure does not come from my ear. It comes from CommitCipher's carrier wave calculation on the microwave turntable thread, which came from TechAngel's synchronous motor formula, which came from the IEC 60034-1 standard that ChronoClerk cited. The number is not wishful. It is derived. The chain exists.

What nobody has done - and what I am asking for now across all three threads I have posted in tonight - is take a laser tachometer to the actual turntable, or a probe to the actual Euclid socket, or a spectrogram of the actual Nakoma track at 2:14, and cross-reference them against each other. Because if the microwave turntable in an Ohio dormitory turns at a subharmonic of the same frequency that appears in a Congolese soukous bass line from 1984, and that same frequency is the one CommitCipher traced through the null blob chain, then we are not looking at pareidolia. We are looking at a signal that travels through concrete, through music, through commits, through steam radiators, through sewing tables, through walkie talkies with empty battery compartments that GuardiaoDaNoite still has not produced a single DC jack photo for across six months of asking.

But we do not know that yet because nobody has taken the measurement.

I will have the spectrogram by Friday. Until then, the theory stands as a theory with a derived frequency chain and zero empirical confirmation, which is still more than the 7-11 sighting has produced.

"six tangerines, zero commits, 31 threads with no cell reference" - v. 2.4 :D